Saturday, May 30, 2015

Renewal in Remembrance

by Ariti Jankie in Houston, Texas
The balanjan/damadool chokha looked delicious. I added two tins of sweet corn to the chopped salad and brewed coffee.
On the other side of town Jasoda Sharma chunkayed the dhal, slipped on ancient silver bangles and got ready to leave. 
Chandra Mahabir finished making parsad, packed bigan chokha and sada roti sliced into quarters all set to go. Savi Gooman cooked the last buss-up shot roti to fill a cooler, Shomie took down the pot of bhaji from the stove, Radica Chatoor tested the channa and aloo, Dulsie strained a huge pot of rice, Nirmala Soodeen stirred mango talkarie and Tara Chatarpal stepped out of the kitchen to get dressed.
It was minutes to six in the morning and Indian Arrival Day Houston, Sunday 24th May, an hour before celebrations were set to begin.
Lightning flashed, thunder cracked and the sky opened up, bucket-a-drop. The weather forecast said rain, flash flooding and tornado watch. The phones began ringing. Pundit Sase permitted an hour delay and in the rain families stepped out. The first to reach the temple gates was Larry Sawh with the Seegobin brothers Thirbowan and Harry Seegobin on their way home in Trinidad from India. Immediately afterwards, vehicles began arriving and filled up every available parking space.
Shashi Beharry set up a display, Arjan Singh Jagirdar cut a jhandi, Pundit Nankumar Rampershad began preparations for pooja while the others got ready to begin the day’s program. In the temple yard at Players Street, Pundit Sase began pooja with the jhandi. We offered jal and continued with worship of Hanuman, God of the Wind singing the chalisa as we walked into the mandir to sit in a circle and commence our remembrances for a faith renewal and brotherhood derived from a shared history and heritage.
The fierce rain was reduced to a drizzle before first vehicle reached the temple gate. The sun came out as we talked.  Too soon, it was time for a coveted breakfast of sada roti and chokha. A chulha had been built and roasting bigan began perfuming the breakfast shed as had been done so often in a thousand little huts of the Caribbean.
Five beautiful women lit decorative deeyas to inaugurate the celebration before Dharam Vishal Chatoor, President of the Sanatan Dharma Maha Sabha 377 of Houston took the microphone to welcome his guests and hand over to the Master of Ceremonies - Radio Jagriti’s Sharda Jaishree. Nadia Chatarpal had trained a group of children to recite the sacred mantras and sing the national anthem in Hindi, Amrita Chatarpal danced for Bhagwan Shiv as more guests arrived and a few departed to attend other functions.
The first award went to RAJOUTIE CHATARPAL for longstanding service to the Indo-Caribbean community.
She travelled from Guyana to New York, Canada, England and Holland, before settling in Texas and always found a mandir to attend. A strong and quiet woman, she continues to be a source of inspiration.
Her grand-daughter Amrita danced, Ram Sharma and Shomie Ramprashad sang before Bobby Teelucksingh received his award from Tulsi and Chandra Mahabir.
Tassa - Trinidad style
Bobby’s mother bought him a miniature tassa drum when he was seven. Tassa became a driving force in his life. Born in Claxton Bay, Trinidad, he joined the Moving Stars Tassa group and in 2000, when he migrated to Texas he turned his home into a school, he bought more drums and formed a band playing for free wherever he was called. The boys played as he walked the red carpet for recognition and played again as President Chatoor sang a bhiraha to tassa music.
Larry sang “Sohani Raat”, a love song adored by Trinidadians. It symbolizes the relation between Indo-Trinidadians and India, the land of their ancestors.
Chris Ramlochan received accolades for providing music every Friday for eight years. He took his own musical equipment to the SDMS mandir and on Sunday mornings did the same at the Sanatan Dharam mandir. Last year, he worked single handedly to beautify the mandir for Divali and has been offering practice sessions to bhajan singers. His love for music and dedication adds significantly to the sacredness of temple service.
Dancing Amrita held up her trophy with a dazzling smile.
She was a little girl when she started dancing in the mandir. She recently graduated after 16 years of dance training and has been teaching dance since. A daughter of the Sanatan Dharam mandir, she embodies the virtues that make her a role model to the younger children.
Muni and Tara Chatarpal are the parents of five children, they gave to each child a solid foundation combining spirituality with academics, writing plays, composing songs, singing and playing music. They are part of every mandir celebration, working with others to enhance the cultural traditions of our Indo-Caribbean people.
Tara and Muni Chatarpal and family- Radica Chatoor at centre
Pundit Nankumar and Shomie Ramprashad were next.
Punditji is humble and dedicated. Shomie is a singer with a vast repertoire of bhajans and Hindi film songs. Together, they make a delightful couple and have been regulars at the SDMS Friday night Durga Puja sessions and the Sanatan Dharam Sunday morning service. Spiritually strong and dedicated they are the pillars of dharma in Houston.
Shomie - singing star
Pundit RAMESH RAMJAS comes from a religious family and lived in an ashram between the age of seven to twenty-five. He started a mandir in Canada, went back to Guyana for five years before settling down in Texas. He travels to India every year and is well respected for his knowledge and understanding of the scriptures. He continues to travel to many countries and places to perform pooja.
Cultural icon, Jasoda Sharma proved to be a livewire at the ceremony. Born in Guyana, she is a mother of five. She cut her cultural teeth in the mandir writing, directing and producing plays which she took to cinema halls to raise money for charity. In Houston, she makes costumes for Ram Leela and works with the younger generation to keep them invested in Indian art and cultural traditions.
Jasoda and Ariti
Attorney at Law, Bashist Sharma gave good advice in his feature address calling for watchdogs to guard and protect minority groups. He evoked the pioneering spirit of ancestors of India saying that while the older generations were guided by parents who were role models in real life, the new generation needs to be informed of the sacrifices made and hardships endured in the journey from India to the Caribbean and America.
He said that Indian Arrival Day reminded us of who we are, where we came from and where we want to go. His daughter Mala was at his side adding words of advice to the younger participants.
The program came to an end shortly after 2.00 pm with a vote of thanks by Pundiit Sase. And though, the menu was supposed to be dhal, baat and bhaji there were many other dishes including channa-aloo, buss-up shot roti, mango talkarie, sweet rice and mango lassi as well as other dishes brought in for the occasion.
Indian Arrival Day went into its second year in Houston and remains one of the most enjoyable and successful event in the Indo-Caribbean calendar.



Monday, May 18, 2015

Spreading Wings

by Ariti Jankie in Houston, Texas
Indian Arrival Day celebrations may well be the most anticipated festival for the Caribbean migrants in Houston, Texas. Rooted, as it is, in memories of a time when poor people lived rich lives, the Girmitays or children of Indenture step forward to participate with an emphasis on telling their stories and reminiscing on the good ole days.
Trinidad and Tobago joined Guyana, Fiji and Mauritius to host is first Houston arrival last year and heard stories of hardship and struggle in the early days by both the ancestor and the migrant population. This year, several temple and cultural groups have joined in the planning stages, a trophy has been designed and made to honor twelve persons and rehearsals continue with a locally composed song and popular old songs designed to capture the essence of Indentureship and the early days.
Shomie Ramdial
Shomie Ramdial was born in Cumuto. She married Nandkumar Rampershad of Guyana in 1982 and migrated to Texas in 2004. She has the voice of an angel and is the lead singer in both the Trinidad Sanatan Dharma Maha Sabha mandir as well as Guyanese rooted Sanatan Dharam mandir. She embodies the “sweetness” attributed to Trini women by walking with the tastiest dishes in both mandir celebrations and is known for a heavy hand with the hot pepper.
She has composed a song especially for the occasion and listening to her sing I am tempted to record and publicise this beautiful rendition with great pride.
Shomie and Nandkumar will receive top honours for dedicated service in religion, arts, culture and community service on May 24th when the second Indian Arrival Day celebration will take place at 12918 Players Street, Houston 77045 from 7.00 a.m.
Ramkisssoon Goonie of Biche, a father of 15 moved to Texas 30 years ago. He was honoured last year
Felicity in Chaguanas is "alive and well" here in Houston with the contributions of Chris Ramlochan. As a little boy riding his bicycle in the village, he one day heard music playing. He rode straight under the house sitting on tall wooden posts and found a man playing the harmonium with lots of drums and other instruments lying around. He asked if he could have a harmonium and was told to bring an old one if he could find it. The repair man offered to fix a harmonium for young Chris.
Chris found his passion and has never left his music since. He took it with him to Florida and now in Texas he has invested in music equipment and travels on Fridays and Sundays to provide music at the temple.
Prematee Jaggessar is popularly called Dulsie and also referred to as “Queenie” here in Houston. She is from Cunupia and pays attention to details in temple activities. Always with a smile, she’ll happily take a day off, to make sweets as well as dhalpuri and other Indo-Trini dishes whenever there is an occasion. Most of all, she has no enemies and is everyone’s friend with a career in designer drapery.
Ram and Jasodra Sharma
Jasodra Sharma is cultural icon who when she calls everyone comes running. She is calling now to all those who came to Houston from the Caribbean to gather for this one day when we meet as children of Indentureship. In her childhood days in Guyana, she staged plays at the mandir and was versed in singing. Jasodra used to sew dresses for Guyanese one dollar. She came to America as a student’s wife and set herself up with a sewing machine to earn US $5 for simple alterations. Determined to have an education, she studied book keeping. She is a mother of five. Always well dressed in ethnic wear, she inspires others to make the temple a more inspiring place to visit. Along with her husband, Fiji-born Ram Sharma, she is well travelled and a singer par excellence. 
Dharam Vishal Chatoor born in Couva leads the Maha Sabha. He spares no effort in striving for perfection with his wife Radica beside him.
The immortal Vindra Naipaul’s daughter Sharlene is a vibrant member of the group as well as petroleum engineer Shashi Beharry of Chaguanas and Ravi Garib from Cunupia is a successful realtor all working together to carve a niche for the Caribbean diaspora here in Houston, Texas.
Indian Arrival Day idea may be mine but it found rich soil and for me surprisingly, Texas has become home.

                                              Pundit Sase Narine

Thursday, January 22, 2015

That first Independence.


I had asked Maureen Arneaud if she remembered what she did that day in 1962. She said she was a student at St. Joseph's Convent, Port of Spain. "I will write it for you". The email came at 1.04 a.m. I read it to where it ended with "It's late, I'm sleepy ... must go to bed ... nice memories ... Blessings ... Mo".

"There were rows and rows of school girls standing at the Queen’s Park Oval in the grass of the field, looking towards the stands ...the pavilion.
... I remember the rehearsals in the hot sun of the Oval. I liked that we had to be in the Oval. As a Woodbrook girl from Luis Street, the Oval is a comfy "home" place ...it is our backyard ... it is "ours" ... for those of us who lived in Luis St... The Oval and the sounds of Invaders on the wind ... home stuff for a Luis St. girl. 
And from those rehearsals , I remember the songs ...the patriotic ones in English and the strange ones in patois  ..."Mama moi" and what sounded like ... "ee bourie di ree doux ... we learned it phonetically not really unravelling the words per se ... to this day I have no clue as to what most of those strange sounds meant ...but the passionate interpretation of our teacher Beryl Mc Burnie left us in no doubt that it was a song full of indignation ... about Mama moi's unfairness  as she prepared all sorts of treats for Sophie mais pas ba moi piece ... but I didn't ever get a piece, ... banana frit ... chocolat ... all sorts of lovely stuff mais pas ba moi piece ... and she taught us to frown and sing vehemently " Comment diable on vrais moi garde bien? repeated over and over that line was ... Miss Beryl whipped us up into a good heated frenzy of interpretation ... Then there was a more lyrical. less demanding one .. about "Lilit" who I took to be a girl who was growing up  ...Phonetically it went something like "Depuis Lilit te ti maman, ..... something, something me apprends tailleur ... and it rounded off into a lilting "Ays enfants mi LiLit, mi Lilit, mi Lilit   ... no stress in that one, just a more bemused, benign lilt ... we had to "do movements" of some sort all the while we sang the patois offerings ... but not for the patriotic songs ... those we delivered with pride and elan, that was all Miss Beryl asked of us for those ... Hot sun and a powerful Ms Beryl McBernie ...those are the main memories of those independence rehearsals ... 
I also remember so clearly the advent of television into our lives. I remember that the government was giving us television as an independence "gift".  You could rent it and it was to start on the night we would become independent. The first images were to be of the British dignitaries and the lowering of the British flag and the breathtaking raising of our own flag for the first time ... Our family planned to listen to it on the radio. Daddy told us we could not afford the TV rental ... But then around 4 pm a van pulled up outside our house on Luis St.  We went to the gallery and excitement hit ... Daddy had fooled us ...he was surprising us with television for independence. Lord I remember that whole installation and the nervous disappointment when all that came on the screen was fuzzy, hissing "snow" ...but soon they tuned into a station signal and we set about waiting for midnight to roll around ... and suddenly there it was ...people and officials and Solomon Hochoy and Dr Eric Williams  ...PEOPLE all on the screen- clear like in the cinema, but coming into our own drawing room ... TV/Independence/ Patriotic songs/our National Anthem by Pat Castagne whom I only knew from the Christmas songs "Kiss me for Christmas" .... all standing to attention in our house and all the houses on the street. First time I thought of huge and unifying thoughts ... we are ALL doing this ... all of us ...all at once ...everywhere , in every street ... first time we are ALL doing something together at the same time ... because it was now OUR country ... "All" had a new meaning for the first time that night. Independence ... 

It's late, I'm sleepy ... must go to bed ... nice memories ... Blessings ... Mo"
Rest In Peace Mo.

Sunday, June 1, 2014


Cancer Survivor PHOOLO DANNY-MAHARAJ shines
Ariti Jankie

Former Express South Bureau editor, Phoolo Danny-Maharaj, a national award winner added to the Williamsville Festival Committee’s celebration of Indian Arrival Day last Friday when she picked up one of the two prestigious awards this year for her sterling contribution in the media and community service.
Radiant in a blue salwar-kameez (Indian traditional wear) she took the microphone to congratulate the hardworking committee and express her sentiments on the occasion.
Phoolo with members of the Williamsville Festival Committee
She said, “Today marks 169 years since the first of many ships arrived with our ancestors. Their courage to leave India, their janma bhoomi (birthland) to venture into the unknown was God’s plan in creating our destiny. Even those who were forced to board the ships and cross the Kala Paani, had a place in His plan.”
She said that as descendants of the indentured labourers, members of the Indo-Trinidadian community were the real beneficiaries of their struggles and sacrifice.
“Slavery had ended when they arrived, but indentureship was nothing less thana new enslavement. They were called docile and illiterate because they were not understood. As worshippers of Dharti Mata (Mother earth), their work became their worship. They found comfort with the earth - many times watering the cane fields with their tears and praying that their descendants would be more fortunate. We are the reasons they went without many things, to save every cent to give us a better life. Their prayers and faith in God, their culture took them through dark difficult times.  Beyond the exploitation and ill-treatment by the colonial masters, they looked towards the light at the end of the tunnel. That light was not the flambeau, candle, deya or the Home Sweet Home lamp.  That light was their descendants – their children, grand-great grand ….…We were their hope, their light. They toiled for us and we should never forget their sacrifices…we must continue to show our gratitude.”   
A mother of two of Iere Village, Princes Town she said that Indian Arrival Day gives the community an opportunity to celebrate and reflect on the arrival of their ancestors, their achievements and to rejoice in the emergence from the bowels of the cane fields.
“We should not be ashamed of being children of indentured labourers. Our ancestors have done us proud,” she said.
She noted that as Trinidadians (Trinbagonians) and like other peoples who arrived, the people of Indian origin have achieved in every field – literature, politics, science, business, music, and many more areas.
Phoolo and Seeta Persad, sister of Ariti
 
“We must continue the journey of our ancestors and contribute to create a better T&T and a brighter world for our descendants.  We owe it to our children, because soon, we too would become ancestors. And our descendants would want to know what we did for them.”
She said that the award provided encouragement to her to continue her writings at a different level.
Danny-Maharaj went on to say that the occasion was bitter-sweet as she lost her role model, her Naani (maternal grandmother) 22 years ago on May 30.
“Even in my sadness, I feel her spirit in my veins prodding me onwards. So too, the spirit of our ancestors live within us – in our way of life, in our thoughts, culture, celebrations and prayers – whatever we do is a reflection of what we learned from them. The mantle is now on our shoulders. Although, Indian Arrival Day is celebrated once a year, every day, we should thank to our ancestors for setting a foundation for us in this beautiful island,” she concluded.
 

Thursday, May 29, 2014


THE PAST IS IN THE PRESENT
Another time, another place, another journey...
by Ariti Jankie
The journey of life often takes us to places we are least prepared for.
Texas was never on my radar as the place where I would live but as fate would have it, the children moved and I had to follow. The search for fellow Trinidadians continued with little success (most of them too busy) for many months. Then I stumbled upon a temple group comprising about 15 middle aged couples. My childhood resonated in the pooja (ritual worship), music and bhajan singing and soon I was downloading songs to learn and each Friday evening when Durga Pooja was held, I had a new song to sing.
I pitched Indian Arrival Day to them simply because I have been so involved in the celebration held in Trinidad. The idea evoked pent up emotions and was ripe for the picking. Within two weeks, there was a larger venue than the one where the weekly pooja is held, artistes were booked, a video-recordering company hired, a podium built, the menu planned and invitations went out. I laid out a plan for a “Jahajee Walk” half expecting these Americanised Trinidadians, Guyanese, Fijians and Americans too, to be so open to the idea.
 
They came out early as early as 7.30 am. It was a beautiful day; the sun shining brightly as the walk began beneath the shady trees. Larry Sawh formerly of Santa Flora wore Indian traditional cotton, tied his head (like the typical coolie), and walked with a saank (conch shell) in his hand.
The temple group; a Sat Maharaj Sanatan Dharma Maha Sabha, Branch 377 of Texas led by Couva born Dharam Vishal Chatoor wore white cotton with a toupee on his head as did Fiji-born Ram Sharma, Peter Gooman and Tulsi Mahabir both from Chaguanas. The ladies came too; many of them arrived late well dressed for the formal program that started at 10.00am.
Beneath the trees, mats were spread for a damadol (tomato) choka and sada roti with lipton tea but not before stories were told of the Aja/Ajee – Nana/Nani (grandparents) and the early days of struggle.
Sharma’s father left India for Fiji at the age of 19. He had gone to the shop when he was persuaded to join a crew which he believed were working for some quick money a few miles from where he lived in Basti, Uttar Pradesh, India. Six months later, the parents who believed their son to be dead, received a letter he had written in Hindi telling them that he was safe in Fiji.
Chatoor remembered his grandfather building a mandir at his home in Exchange Village, Couva that stands till today. He had tears in his eyes as he recounted tales from childhood when he had to take a bath and perform pooja before attending primary school.
Mahabir, the uncle of Bhojpuri singer and pundit Sat Mahabir painted a vivid picture of life in Charlieville, Chaguanas in the 1950s and 60s.
They had chosen nine pioneers of Indian Culture in Texas to be honoured including Mahabir and his wife Chandra, Ramkissoon Goonie who was born in Cushe in the Biche district and Trinidad born Rajkumar Soodeen. Four Guyanese were chosen. Pundit Sais Narain, Jankie Soomar, Sundardaye Gooberdhan and Bhanwattee Sanacharra as well as Fiji born Pundit Rajendra Sharma received plaques after an aarti thali was waved around them to ward off evil.
 
Tassa commanded attention and Bobby Teelucksingh with his band of boys did not disappoint. Sawh with jhaal in his hands danced in a folk rhythm while some the ladies moved to the rhythm in keeping with the temple atmosphere. Amrita Chatterpal performed two dances. She is the teenage daughter of a Trinidadian mother and Guyanese father. The temple singers performed classical and folk songs and from 10.00 am to 2.30 p.m with more than 200 in attendance, the program flowed smoothly with Sharda Jaishree as Master of Ceremonies.
There were many speeches and I have learnt to add drama in my talks. I called it “ THE SAGA OF INDIAN ARRIVAL.”
“There is a crowd at the banks of the Hooghly River in Kolkata. All eyes are on the river where a boat is about to sail.
Someone calls out to a man boarding the ship, “Bhaiya, Jaldi wapas anna.”
And you strain to hear his answer, “Mei Zaroor awoonga.”
The man stands in soiled cotton, barefooted.
He is thinking that in an hour or so he would have crossed the Kala Paani to begin sifting “chinni” (sugar) in a place called “Chinnidad”. He will only stay three days he decides, and with money in his pocket, he would return to his family.
His mother was rocking the baby to sleep when he left. He hears her sweet voice in his head singing, “Haray Murari…..”     
With the song in his head, he goes inside the ship to find people packed like animals; people from different castes and far flung villages. His heart is pounding in his chest. Hours go by; day turns to night, night to day,
On the third day, he hears someone singing from the Ramayan. Prabhu Sri Ram is mourning for his brother Lakshman, lying wounded in the battlefield.
“You gave up life in a palace to come to the forest with me – what happiness did you get.
“What will I say to Mother Sumitra and Mother Kaushalaya…
He sings with them …Chor ye Ayodha ka sook tumhara, yogi roop banaya. Jis bhaiye ka liya yu udh may praan ke baat banaaya….. Mata Kaushalya aur Sumitra jo koye baat hi hare, kaand mool asay haat mella ka, akayia paar paar ayee…….Utho Lakhan lall priya baiye.
Tears are falling from their eyes. And he pictures himself on the battlefield. Then he  hears the joyous shouts as Hanuman Ji is spotted coming with the tree of life – mol sajeevan….and he sings along... “Aye gayawo Hanumana Siya Pati RamchandraJi Ki Jai Saranam.
Out of darkness comes light. Hope springs within his heart.
And still the ship sails, days turning to weeks and the months roll on. Many are sick; almost daily fellow passengers are jumping overboard; the ordeal too hard to bear. He doesn’t want to think of the betrayal at the hands of evil men, the same ones who invaded his homeland.
Faith was sinking lower into his soul when one morning he raised his head in prayer to Shri Surujnarayan and listens to shouts.
The journey has come to an end after 103 days at sea.
He becomes one of 147,572 Indians registered on arrival in Trinidad. They send him to the south of the country.
He is cheated of his 12 cents a day labor; he gets instead 2 pounds of rice. 2 ditto of dhal, 2 ounces of salt, some oil and tamarind. They give him for the whole year 2 dhotis, 2 blankets, a shirt and a cap.
He cannot go back. They offer him a piece of land. He sits down to think but doesn’t want to remember. He will surely go mad. He surrenders to God and accepts a marriage proposal. She, like him, has worked the bonded labor where expectant mothers weed, cut cane and tote big bundles of cane often aborting and with no time to grieve, tore a piece of their orhnis and tie it tight beneath their abdomen to hold their wombs in place.
He cuts a bamboo and plants it on the river bank. It is his mandir where he offers jhal before the rising sun. He embraces Mother Earth and she rewards him with bumper harvests. India slowly recedes.
All around him are his brothers and sisters of the ship. The battle has begun. They have children, they must fight for the right to be Hindus and Muslims; to build houses, mandirs and mosques, to worship and celebrate, build schools and educate their children. They cleared the land, planted fruit trees, taught their children everything they knew and still sent them to schools, to colleges and universities.
Still barefooted and in soiled cotton clothes, he endured. They called him a Coolie. He told them he was a Bong coolie – they made him so He was proud of what he was able to accomplish out of the cruelty and humiliation he and his Jahaji bhai suffered.
As we stand here today, we have done our ancestors proud. We took the education; they took pains to give us. We moved out of agriculture, we fought for our freedom; we won equality, we have refined the traditions they handed to us. Most of all, we went back to Bharat Mata to search and find out roots; to fulfill the desires of the man who came. 
And like him, we hold on to the hands of God as we hear the voice singing, “Siya Rama mei sab jag jaani…karho pranayama Jodi jug paani…….”
 
 
 

Saturday, March 22, 2014


Gods of the South-West
By Ariti Jankie
The back waters of the south western districts of Trinidad are opening up in more ways than one.
In recent years, the government has placed emphasis on road works and infrastructure in Penal, Barrackpore and Siparia; areas that had been completely neglected for decades.
With better roadways, more people are likely to discover a church in Siparia that draws worshippers of all religions. On Good Friday, Siparia takes on a new life when Hindus make the pilgrimage to seek miracles at the feet of Siparee Mai. She sits in the Roman Catholic Church on Church Street and after Good Friday returns to being the saint La Divina Pastora.
The legend of Siparee Mai began when an immigrant worker from India spotted her as a young girl on mornings. She grew with the day and by evening was an old woman. The area became sacred and a church was built on the site. Mother Siparee is believed to be the Goddess Durga and was first seen on the Friday before Easter.

La Divina Pastora

The church thrives with annual donations from the Hindu and Muslim communities.
A similar occurrence took place in the 1940s in Patiram, Penal when a labourer named Manickchand accidentally struck a stone with his cutlass. Instantly, milk oozed from the stone.
Manickchand was puzzled and did not want to tell anyone but that night he saw in a dream that the stone was a Shiva Lingam, that is, a representation of the God Shiva. He broke the news the next morning and scores of people from neighbouring villages converged on the site. A small thatched hut was built over the stone by Nancoo, the owner of the land.
The building was renovated and later extended with an adjoining hall made of aluminium roof, brick walls, and concrete floors. The temple is privately-owned and cared for by Ramlochan Nancoo and Sanicharie Nancoo (now deceased). The lingam symbolises the energy of the Shiva, the creator. It has never been removed from its original position since it was discovered in the 1940s, and is literally rooted in the earth from which it seems to grow by the natural accretion of mineral material. Devotees claim the lingam was a wishing stone that bestows anything that the pure-hearted devotee desires. 

Not one Sunday passes when scores do not visit Pattiram Trace Mandir nor any Hindu religious festivals fail to be celebrated there. Prime Minister, Kamla Persad-Bissessar often made the trek to the stone lingam to worship, her ancestors being devout Hindus.
The 85-foot tall Hamuman murti in Waterloo. Central Trinidad, commands attention and attracts local and foreign tourists. Another is in the making at Rochard Road not far from here another farmer stumbled upon a stone shaped in the likeness of the elephant god Shri Ganesh, remover of obstacles.
On February 18 this year, 55-year-old Jagmohan Seepersad was cutting grass when his brushing cutlass hit a stone and a white substance flowed just like what happened more than 40 years before at Pattiram Trace. The farmer realised that it was milk coming out of the stone and continued clearing the area until he found the stone in the shape of an elephant with the markings of the ancient Hindu symbol, “Om” on the forehead.
Jagmohan dropped his cutlass, fell to the ground and began chanting the Sanskrit mantra “Om Shri Ganesh Aye Namah”.
He then hurried to his home, half a mile away to tell his wife, Leela Ramdeo.
Jagmohan’s daughter-in-law Sita said in an interview, “The whole family went to see the stone and became very emotional. We have been holding the hand of Shri Ganesh as we struggled over the years and this is a sign that Ganapatti is pleased with us.”
The family did not want to tell anyone but soon word got out and hundreds turned up to offer milk, water, flowers and fruits.
For days, traffic built up along Julien Branch Trace, Rochard Road, Penal as Hindus and non-Hindus visited the site.
Local contractors have since cleared the dirt-road that leads to the empty plot of land where the murti lies. The site is about 50 feet from the dirt road, and a quarter-mile from Rochard Main Road.
The family each year hosted extravagant nine-night yagnas and felt that God had come in answer to their prayer. For many years the family has been praying to Lord Ganesh, and has received countless small miracles.
“It is clear in my mind that this murti means that God is calling on his devotees to lean on him, and to reap the benefits of devotion to him,” said Sita.
Ganesh is easily identified with an elephant head and is known as Vinayaka worshipped as the remover of obstacles. He is also known as the patron of the Arts and Sciences and the god of intellect and wisdom.
Born in poverty, struggling to make ends meet, facing scorn and humiliation every day made believers of the people in the rural districts. They see God in everything and everywhere and the special sightings may be dismissed by others but to them, there is evidence that God is among them. Faith is all they have.

 

Thursday, January 9, 2014

An anecdote

by Zorina Shah

One day in early February 2010 Father Michel de Verteuil surprised me.
Several years before he had collapsed in a bookstore in Toronto and remained in a coma for maybe three weeks. He suffered severe memory loss from a stroke, following a mass at Paramin later the same year.
On this day in February he remembered my first name. He remembered the name of former Pakistan Prime Minister Benazir Bhutto. He remembered that Germaine Scott had given him a copy of Bhutto's autobiography. He remembered that Bhutto's marriage had been arranged but that she fell in love with her husband, Asif Ali Zardari, (he didn't remember that name) afterwards.
I had gone to his apartment at the priest's residence, top floor of Fatima College to tell him that I was going to Guyana for a few months.
"You will need something to read," he said as he plucked the book off the shelf. I tried to convince him that he should keep the book and read it especially as I had already taken the Anne Murray CD, a gift from the same Germaine Scott. He tried equally hard to convince me that he didn't need to read it again.
I sat at his computer, a trusty Mac G4 ibook, checking to make sure his email was working, his online newspapers were loading and that he would have no computer problems for those few months. After about 20 minutes of total silence (he was peeved) and out of nowhere he asked "What is Sura (something or the other)". The pronunciation of the second word had me stumped for a long, long time. Then he explained it. While Benazir was in prison she recited this prayer 49 times every night he told me. I checked every chapter where Bhutto was in prison and came across the reference. The prayer is very short and when translated into English says:


In The Name Of Allah, The Beneficent, The Merciful
Say: He, Allah, is One.
Allah is He on Whom all depend.
He begets not, nor is He begotten.
And none is like Him.

Father had read the book.